The History of Matsubayashi-ryu Karate

Grandmaster Shoshin Nagamine
Grandmaster Shoshin Nagamine

The history of Matsubayashi-ryu karate begins after World War II, when in 1947 Grand Master Shoshin Nagamine officially founded the style.

According to Patrick McCarthy of the International Ryukyu Karate Research Society, the style’s lineage traces from Chinese Gung-Fu to the original Okinawan karate. This “original” Okinawan karate then developed into Te. Te grew and divided into Naha-Te, Shuri-Te and Tomari-Te. Shuri-Te (sometimes known as shorin-ryu) divided further into four major styles: Kobayashi-Ryu (founded by Chosin Chibana), Matsubayashi-Ryu (founded by Shoshin Nagamine), Shobayashi-Ryu (founded by Chotoku Kyan) and Matsumura orthodox (founded by Hohan Soken). In 1936 the Okinawan masters met and adopted the term “karate” or “open-hand” to replace the earlier term of Tote (abbreviated to Te) which meant “Chinese Hand”. They felt the new term, karate, better reflected the art’s unique Okinawan development.

Following World War II Nagamine Sensei encountered a book by Gichin Funakoshi, entitled Introduction to Karate. In his book Essence of Okinawan Karate Grandmaster Nagamine states that it was this book that helped him make up his mind to pursue karate as a life’s ambition. It is easy to imagine that Nagamine Sensei’s service as an infantryman in China in 1928 may have also influenced his development of the Matsubayashi-Ryu style.

Sensei Nagamine's original dojo
Sensei Nagamine’s original dojo

Nagamine Sensei opened his first dojo 1942 and —according to Charles C. Goodin— named it the Tomari Ken Yu Kai. It was destroyed during the war. He named the style Matsubayashi-ryu in 1947, and opened a temporary dojo in Makishi in ’48. In 1953 he finally opened his permanent dojo and named it the Matsubayashi-Ryu Kododan Karate and Ancient Martial Arts Studies. The term Matsubayashi comes from the Okinawan pronunciation of the characters for Pine Forest. Matsu means pine and the word forest translates to Hayashi. When the two are placed together, Hayashi is pronounced as Bayashi, making it Matsubayashi. The term Shorin-Ryucomes from the Shaolin Buddhist Temple in China. Shorin means Shaolin and Ryu roughly translates to style or system. More literally, Ryu can mean river, which Nagamine Sensei felt reflected his view that the art of karate, and specifically Matsubayashi-Ryu, is a living, flowing thing.

Nagamine Sensei also created the name “Matsubayashi” out of respect for two great Karatemen, Sokon “Bushi” Matsumura and Kosaku Matsumora, who, in turn, taught two of his most influential teachers, Chotoku Kyan and Choki Motobu. Also, Nagamine Sensei’s nickname growing up was “Gaajuu Maachuu” sometimes pronounced “Chippai Matsu”, which means “tenacious pine tree.”

Sensei Ueshiro and Sensei Wax

In 1960 James Wax, an ex-American serviceman and first American Black Belt in Matsubayashi-Ryu, opened a Matsubayashi-Ryu dojo in Dayton, Ohio. Two years later, Nagamine Sensei sent a senior student, Ansei Ueshiro, to the United States to firmly establish Matsubayashi-ryu in North America.

Sensei Zenko Heshiki (right) and Sensei Owen Masters (second from left)
Sensei Zenko Heshiki (right) and Sensei Owen Masters (second from left)

It was at Sensei Ueshiro’s dojo in New York City that Zenko Heshiki (see Zenko Heshiki sensei videos here) trained before opening a dojo on West 72nd Street in Manhattan with Sensei Arthur Drago. Sensei Heshiki was born in Okinawa in 1938. His grandfather, Zensei, was a Karate sensei and student of Chomo Hanashiro, himself a student of Sokon Matsumura and Ankoh Itosu. Sensei Heshiki’s dojo prospered, and at one time he had over 40 active black belts and over 200 students.

Sensei Troup receives his black belt from Soke Takaoshi Nagamine, with Senseis Crevani (left) and Masters (right).
Sensei Troup receives his black belt from Soke Takaoshi Nagamine, with Senseis Crevani (left) and Masters (right).

It was there that Sensei Owen Masters began training in 1967. He went on to open his own dojo on West 86th Street in Manhattan at the Gelabert Art Gallery. During the late 1990’s he began teaching at the Shorin-ji Bushido with Sensei Max Crevani.